promoting the arts of Music Arranging, Composition and Orchestration within the entertainment industry community and the general public.

promoting the art of Music Arranging, Composition and Orchestration within the entertainment industry community and the general public.

ASMAC NYC presents: Score Explore featuring Jonathan Tunick

LA 12 PM  NY 3 PM  UK 8 PM  

ASMAC NYC presents: Score Explore featuring Jonathan Tunick 

Legendary Broadway orchestrator Jonathan Tunick discusses some of his most iconic scores.

Long regarded as Broadway’s preeminent orchestrator, Jonathan Tunick’s credits extend beyond his legendary orchestrations of Stephen Sondheim's shows: as a composer he has written extensively for film, television and the concert hall, and has the rare distinction of “EGOT” status, holding all four major entertainment awards.

With multi-award winning orchestrator and colleague Michael Starobin interviewing him, Jonathan will delve into three of his scores and discuss the creative process behind some of the most iconic moments in the American musical theater.

BIOGRAPHIES:

A native New Yorker, Jonathan Tunick grew up on Manhattan’s Upper West Side and attended the High School of Music and Art, Bard College (AB 1958) and Juilliard (MS 1960), where he studied composition under Vittorio Giannini.

His first major credit as an orchestrator was Promises, Promises (1968), which led to a long series of other Broadway musicals, notably those of Stephen Sondheim. (He has orchestrated nearly all of Sondheim’s musicals.) Notable shows include Company, Follies, A Little Night Music, A Chorus Line, Sweeney Todd, Nine, Into The Woods, Passion, The Color Purple, Road Show and A Gentleman’s Guide To Love And Murder, plus the recent revivals of Carousel and West Side Story.

He has composed and conducted film scores for Mike Nichols (The Birdcage), Franco Zeffirelli (Endless Love), and Sidney Lumet (Find Me Guilty), as well as for such TV classics as Murder, She Wrote and Columbo. Other film work includes Blazing Saddles, Young Frankenstein, A Little Night Music, and The Fantasticks.

He has also served as arranger/conductor of recordings for such artists as Bernadette Peters, Bette Midler, Judy Collins, Itzhak Perlman, Placido Domingo, Neil Diamond, Kate Bush, Barbra Streisand and Paul McCartney. In 2002 he conducted Company at the Kennedy Center Sondheim Celebration, Washington, D.C.

In recent years he has returned to serious composition, premiering his Trio for Clarinet, Cello and Piano, Cheever Country suite for orchestra and Serenade For Strings. He has also composed extensively for voice, both solo and chorus .

Previously holding the Emmy, Grammy and Academy Awards, in 1997 he was awarded the first Tony ever given for orchestration for Titanic, elevating him to “EGOT” status; one of the very few persons to hold all four major awards. He holds 11 Tony and 13 Drama Desk nominations. In 2009 he was inducted into Broadway’s Theatre Hall of Fame.

 

Michael Starobin is a renowned orchestrator and arranger working on Broadway and in Hollywood. He has been the orchestrator for some of Broadway's most innovative musicals such as Falsettos, Sunday in the Park with George, Assassins (2004 Tony Award for Best Orchestrations) and Next to Normal (2009 Tony Award for Best Orchestrations). He was the conductor and orchestrator for Disney's animated film The Hunchback of Notre Dame, orchestrated the songs for Tangled and contributed orchestrations to the film versions of Chicago, Nine and Beauty and the Beast (2017).

Details

Event Date Saturday, September 19, 2020 12:00 pm
Registration Start Date Sunday, September 13, 2020 12:00 pm
Cut off date Saturday, September 19, 2020 11:30 am
Individual Price Free
Location Online